
After the accident, Kahlo neglected the study of medicine to begin a painting career. She painted to occupy her time during her temporary immobilization. Her self-portraits became a dominant part of her life when she was immobile for three months after her accident. Kahlo once said, "I paint myself because I am so often alone and because I am the subject I know best." Her mother had a special easel made for her so she could paint in bed, and her father lent her his box of oil paints and some brushes. Drawn from personal experiences, including her marriage, her miscarriages, and her numerous operations, Kahlo's works are often characterized by their suggestions of pain. Of her 143 paintings, 55 are self-portraits which often incorporate symbolic portrayals of physical and psychological wounds. She insisted, "I never painted dreams. I painted my own reality." Kahlo was influenced by indigenous Mexican culture, which is apparent in her use of bright colors and dramatic symbolism. She frequently included the symbolic monkey. In Mexican mythology, monkeys are symbols of lust, but Kahlo portrayed them as tender and protective symbols. Christian and Jewish themes are often depicted in her work.She combined elements of the classic religious Mexican tradition with surrealist renderings. Kahlo created a few drawings of "portraits," but unlike her paintings, they were more abstract.
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